The Who – “The Who Sell Out”, 1967
http://rapidshare.com/files/110176890/T ... ll_Out.rar
1 Armenia City in the Sky 03:48
2 Heinz Baked Beans 01:00
3 Mary Anne With the Shaky Hand 02:28
4 Odorono 02:34
5 Tattoo 02:51
6 Our Love Was 03:23
7 I Can See for Miles 04:44
8 I Can't Reach You 03:03
9 Medac 00:57
10 Relax 02:41
11 Silas Stingy 03:07
12 Sunrise 03:06
13 Rael 1 05:44
14 Rael 2 01:29
15 Glittering Girl 03:59
16 Melancholia 03:22
17 Someone's Coming 02:40
18 Jaguar 03:01
19 Early Morning Cold Taxi 03:25
20 Hall of the Mountain King 04:19
21 Girl's Eyes 03:50
22 Mary Anne With the Shaky Hand [Alternative Version][Alternate Take] 03:21
23 Glow Girl 02:42
Pete Townshend originally planned The Who Sell Out as a concept album of sorts that would simultaneously mock and pay tribute to pirate radio stations, complete with fake jingles and commercials linking the tracks. For reasons that remain somewhat ill defined, the concept wasn't quite driven to completion, breaking down around the middle of side two (on the original vinyl configuration). Nonetheless, on strictly musical merits, it's a terrific set of songs that ultimately stands as one of the group's greatest achievements. "I Can See for Miles" (a Top Ten hit) is the Who at their most thunderous; tinges of psychedelia add a rush to "Armenia City in the Sky" and "Relax"; "I Can't Reach You" finds Townshend beginning to stretch himself into quasi-spiritual territory; and "Tattoo" and the acoustic "Sunrise" show introspective, vulnerable sides to the singer/songwriter that had previously been hidden. "Rael" was another mini-opera, with musical motifs that reappeared in Tommy. The album is as perfect a balance between melodic mod pop and powerful instrumentation as the Who (or any other group) would achieve; psychedelic pop was never as jubilant, not to say funny (the fake commercials and jingles interspersed between the songs are a hoot). The 1995 CD reissue has over half a dozen interesting outtakes from the time of the sessions, as well as unused commercials, the B-side "Someone's Coming," and an alternate version of "Mary Anne With the Shaky Hand."
The Who - Who's Next, 1971
http://rapidshare.com/files/110181341/Who_s_Next.rar
1 Baba O'Riley 05:08
2 Bargain 05:34
3 Love Ain't for Keeping 02:10
4 My Wife 03:41
5 The Song is Over 06:14
6 Getting in Tune 04:50
7 Going Mobile 03:43
8 Behind Blue Eyes 03:42
9 Won't Get Fooled Again 08:33
Much of Who's Next derives from Lifehouse, an ambitious sci-fi rock opera Pete Townshend abandoned after suffering a nervous breakdown, caused in part from working on the sequel to Tommy. There's no discernable theme behind these songs, yet this album is stronger than Tommy, falling just behind Who Sell Out as the finest record the Who ever cut. Townshend developed an infatuation with synthesizers during the recording of the album, and they're all over this album, adding texture where needed and amplifying the force, which is already at a fever pitch. Apart from Live at Leeds, the Who have never sounded as LOUD and unhinged as they do here, yet that's balanced by ballads, both lovely ("The Song Is Over") and scathing ("Behind Blue Eyes"). That's the key to Who's Next -- there's anger and sorrow, humor and regret, passion and tumult, all wrapped up in a blistering package where the rage is as affecting as the heartbreak. This is a retreat from the '60s, as Townshend declares the "Song Is Over," scorns the teenage wasteland, and bitterly declares that we "Won't Get Fooled Again." For all the sorrow and heartbreak that runs beneath the surface, this is an invigorating record, not just because Keith Moon runs rampant or because Roger Daltrey has never sung better or because John Entwistle spins out manic basslines that are as captivating as his "My Wife" is funny. This is invigorating because it has all of that, plus Townshend laying his soul bare in ways that are funny, painful, and utterly life-affirming. That is what the Who was about, not the rock operas, and that's why Who's Next is truer than Tommy or the abandoned Lifehouse. Those were art -- this, even with its pretensions, is rock & roll.
Jefferson Airplane - Surrealistic Pillow [Bonus Tracks]
http://rapidshare.com/files/110167463/S ... racks_.rar
1 She Has Funny Cars 03:10
2 Somebody to Love 02:58
3 My Best Friend 03:01
4 Today 02:59
5 Comin' Back to Me 05:18
6 3/5 of a Mile in 10 Seconds 03:41
7 D.C.B.A. -25 02:37
8 How Do You Feel 03:31
9 Embryonic Journey 01:53
10 White Rabbit 02:30
11 Plastic Fantastic Lover 02:37
12 In the Morning [*] 06:21
13 J.P.P. McStep B. Blues [*] 02:37
14 Go to Her [Version Two][*] 04:02
15 Come Back Baby [*] 02:56
16 Somebody to Love [Mono Version][*][Version] 02:58
17 White Rabbit [Mono Version][*][Version] 05:20
“Surrealistic Pillow”, along with the two Top 10 singles it produced, “Somebody to Love” and “White Rabbit” – timeless anthems embodying the legendary spirit of 1967’s Summer of Love – provided, for many, the initial exposure to alternate lifestyles, altered consciousness and alternative music. Four stray tracks recorded during the “Pillow” sessions (along with mono single versions of “Somebody to Love” and “White Rabbit”) finally find their rightful home as bonus tracks on this CD. “Surrealistic Pillow” remains not only the quintessential Jefferson Airplane album but one of the defining artistic works of the ‘60s.
Jefferson Airplane - After Bathing at Baxter's [Bonus Tracks]
http://rapidshare.com/files/105973294/A ... racks_.rar
STREETMASSE
01. "The Ballad of You & Me & Pooneil" (Kantner) – 4:29
02. "A Small Package of Value Will Come to You Shortly" (Dryden/Blackman/Thompson) – 1:39
03. "Young Girl Sunday Blues" (Balin/Kantner) – 3:33
THE WAR IS OVER
04. "Martha" (Kantner) – 3:26
05. "Wild Tyme" (Kantner) – 3:08
Hymn TO AN OLDER GENERATION
06. "The Last Wall of the Castle" (Kaukonen) – 2:40
07. "rejoyce" (Slick) – 4:01
How SUITE IT IS
08. "Watch Her Ride" (Kantner) – 3:11
09."Spare Chaynge" (Casady/Dryden/Kaukonen) - 9:12
SHIZOFOREST LOVE SUITE
10. "Two Heads" (Slick) – 3:10
11. "Won't You Try / Saturday Afternoon" (Kantner) - 5:09
BONUS
12. "The Ballad of You & Me & Pooneil" (Live Long Version) (Paul Kantner) - 11:04
13. "Martha" (Mono Single Version) (Grace Slick)- 3:26
14. "Two Heads" (Alternate Version) (Paul Kantner) - 3:15
15. "Things Are Better In The East" (Demo Version) (Marty Balin) - 2:31
16. "Young Girl Sunday Blues" (instrumental - hidden track) - 3:59
The Jefferson Airplane opened 1967 with Surrealistic Pillow and closed it with After Bathing at Baxter's, and what a difference ten months made. Bookending the year that psychedelia emerged in full bloom as a freestanding musical form, After Bathing at Baxter's was among the purest of rock's psychedelic albums, offering few concessions to popular taste and none to the needs of AM radio, which made it nowhere remotely as successful as its predecessor, but it was also a lot more daring. The album also showed a band in a state of ferment, as singer/guitarist Marty Balin largely surrendered much of his creative input in the band he'd founded, and let Paul Kantner and Grace Slick dominate the songwriting and singing on all but one cut ("Young Girl Sunday Blues". The group had found the preceding album a little too perfect, and not fully representative of the musicians or what they were about, and they were determined to do the music their way on Baxter's; additionally, they'd begun to see how far they could take music (and music could take them) in concert, in terms of capturing variant states of consciousness.
Essentially, After Bathing at Baxter's was the group's attempt to create music that captured what the psychedelic experience sounded and felt like to them from the inside; on a psychic level, it was an introverted exercise in music-making and a complete reversal of the extroverted experience in putting together Surrealistic Pillow. Toward that end, they were working "without a net," for although Al Schmitt was the nominal producer, he gave the group the freedom to indulge in any experimentation they chose to attempt, effectively letting them produce themselves. They'd earned the privilege, after two huge hit singles and the Top Five success of the prior album, all of which had constituted RCA's first serious new rock success (and the label's first venture to the music's cutting edge) since Elvis Presley left the Army. The resulting record was startlingly different from their two prior LPs; there were still folk and blues elements present in the music, but these were mostly transmuted into something very far from what any folksinger or bluesman might recognize. Kantner, Jorma Kaukonen, and Jack Casady cranked up their instruments; Spencer Dryden hauled out an array of percussive devices that was at least twice as broad as anything used on the previous album; and everybody ignored the length of what they were writing and recording, or how well they sang, or how cleanly their voices meshed. The group emerged four months later with one of the rawest, most in-your-face records to come out of the psychedelic era, and also a maddeningly uneven record, exciting and challenging in long stretches, yet elsewhere very close to stultifyingly boring, delightful in its most fulfilling moments (which were many), but almost deliberately frustrating in its digressions, and amid all of that, very often beautiful.
The album's 11 songs formed five loosely constructed "suites," and it didn't ease listeners into those structures. Opening "The Ballad of You and Me and Pooneil" (a Kantner-authored tribute to Fred Neil) amid a cascading wash of feedback leading to a slashing guitar figure, the band's three singers struggle to meld their voices and keep up. A softer, almost folk-like interlude, highlighted by Slick's upper-register keening, breaks up the beat until the guitar, bass, and drums crash back in, with a bit of piano embellishment. Then listeners get to the real break, an almost subdued interlude on the guitars, and a return to the song at a more frenzied pitch, the guitar part dividing and evolving into ever more brittle components until a crescendo and more feedback leads to "A Small Package of Value Will Come to You, Shortly." This brilliantly comical and clever percussion showcase co-authored by Spencer Dryden and the band's manager, Bill Thompson, is a million miles beyond any drummer's featured number in any popular band of that era, and it leads into Marty Balin's "Young Girl Sunday Blues," the most rhythmically consistent song here and one of a tiny handful of moments that seem to slightly resemble the band's past work. The aforementioned tracks comprise just the first suite, designated "Steetmasse."
"The War Is Over" suite opens with "Martha," the album's folk-style interlude, almost a throwback to the group's original sound, except that the listener suddenly finds himself in the midst of a psychedelic delirium, heralded by the dissonant accompaniment and a high-energy fuzztone guitar solo (spinning out sitar-like notes) coming out of nowhere and a speed change that slows the tempo to zero, as though the tape (or time, or the listener's perception of it) were stretching out, and the pounding, exuberant "Wild Tyme," a celebration of seemingly uninhibited joy. "Hymn to the Older Generation" is made up of Kaukonen's "The Last Wall of the Castle," an alternately slashing and chiming guitar pyrotechnic showcase that rivaled anything heard from Jimi Hendrix or the Who that year, and Grace Slick's gorgeous "Rejoyce," a hauntingly beautiful excursion into literary psychedelia, whose James Joyce allusions carry the Lewis Carroll literary allusions of the previous album's "White Rabbit" into startlingly new and wonderful (if discursive) directions and depths. "How Suite It Is" opens with the album's single, the lean, rhythmic "Watch Her Ride," whose pretty harmonies and gently psychedelic lyrics persuaded RCA that this was their best shot at AM airplay and, true to form on an album filled with contradictions, it leads into "Spare Chaynge," the crunching, searing, sometimes dirge-like nine-minute jam by Kaukonen, Dryden, and Casady that wasn't ever going to get on AM radio -- ever -- and, indeed, might well initially repel any Airplane fan who only knew their hit singles. "Shizoforest Love Suite" closes the album with Slick's "Two Heads," with its vocal acrobatics and stop-and-go beat, and "Won't You Try"/"Saturday Afternoon," the latter Kantner's musical tribute to the first San Francisco "Be-In" (memorialized more conventionally by the Byrds on "Renaissance Fair"; it features many of the more subdued, relaxed, languid moments on the record, divided by a killer fuzz-laden guitar solo.
Needless to say, this is not the album by which one should start listening to this band -- "Spare Chaynge" remains an acquired taste, a lot more aimless than, say, the extended jams left behind by the Quicksilver Messenger Service, though it did point the way toward what Kaukonen and Casady would aim for more successfully when they formed Hot Tuna. But most of the rest is indisputably among the more alluring musical experimentation of the period, and Kantner's "The Ballad of You and Me and Pooneil" and "Watch Her Ride," as well as Balin's "Young Girl Sunday Blues," proved that the group could still rock out with a beat, even if not so prettily or cleanly as before. [After Bathing at Baxter's was represented poorly on CD until 1996, when it was finally reissued in an upgraded edition, which was later deleted and was only available as part of the bizarre 2001-vintage Ignition box. It has since been remastered again, with very important, downright essential bonus tracks, as of 2003. Additionally, After Bathing at Baxter's was the last Jefferson Airplane album to appear in a mono version, which sounds very different than the more common stereo mix, and has yet to show up on CD.]
Tarkus" - 1971
http://rapidshare.com/files/83069455/Tarkus.rar
Tracks:
1. Tarkus 20:35
a) Eruption 2:43
b) Stones of Years 3:44
c) Iconolast 1:15
d)Mass 3:11
e) Manticore 1:52
f) Battlefield 3:51
g) Aquatarkus 3:59
2. Jeremy Bender 1:46
3. Bitches Crystal 3:55
4. The The Only Way (Hymn) 3:48
5. Infinite Space (Conclusion) 3:18
6. A Time and a Place 2:57
7. Are You Ready Eddy? 2:10
__________________________________________________
"Trilogy" (1972)
http://rapidshare.com/files/83112692/Trilogy.rar
Tracks:
1. The Endless Enigma, Pt. 1 6:41
2. Fugue 1:56
3. The Endless Enigma, Pt. 2 2:00
4. From the Beginning 4:13
5. The Sheriff 3:21
6. Hoedown 3:43
7. Trilogy 8:53
8. Living Sin 3:12
9. Abaddon's Bolero 8:07
_______________________________________
Democracy is the recurrent suspicion that more than half of the people are right more than half the time.
- EB White
28-04-2008 02:25:00
pilik
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Emerson, Lake & Palmer - In the Hot Seat
http://rapidshare.com/files/79004901/In ... t_Seat.rar
1. Hand of Truth 05:23
2. Daddy 04:42
3. One by One 05:07
4. Heart on Ice 04:19
5. Thin Line 04:45
6. Man in the Long Black Coat 04:12
7. Change 04:43
8. Give Me a Reason to Stay 04:14
9. Gone Too Soon 04:11
10. Street War 04:24
11. Pictures at an Exhibition: Promenade [*] 01:46
12. Pictures at an Exhibition: The Gnome [*] 02:06
13. Pictures at an Exhibition: Promenade [*] 01:45
14. Pictures at an Exhibition: The Sage [*] 03:10
15. Pictures at an Exhibition: The Hut of Baba Yaga [*] 01:16
16. Pictures at an Exhibition: The Great Gates of Kiev [*] 05:24
_______________________________________________________
Emerson, Lake & Palmer – Works I
Disc 1: http://rapidshare.com/files/79480992/Wo ... Disc_1.rar
1. Piano Concerto No. 1, 18:30
1st Movement: Allegro Giojoso
2nd Movement: Andante Molto Cantabile
3rd Movement: Toccata con Fuoco
4. Lend Your Love to Me Tonight 04:07
5. C'Est la Vie 04:22
6. Hallowed Be Thy Name 04:39
7. Nobody Loves You Like I Do 04:02
8. Closer to Believing 05:34
Disc 2: http://rapidshare.com/files/79495222/Wo ... Disc_2.rar
1 The Enemy God Dances With the Black Spirits 03:16
2 L.A. Nights 05:42
3 New Orleans 02:45
4 Two-Part Invention in D Minor 01:53
5 Food for Your Soul 03:58
6 Tank 05:09
7 Fanfare for the Common Man 09:38
8 Pirates 13:20
Modificat de pilik (28-04-2008 02:29:57)
_______________________________________
Democracy is the recurrent suspicion that more than half of the people are right more than half the time.
- EB White
28-04-2008 02:25:53
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Un album Frank Zappa din 1966 (de fapt trupa se cheama The Mothers of Invention si are componenta: Frank Zappa - guitarist, Jimmy Carl Black - drummer, Roy Estrada - bass player, Davy Coronado - saxophonist, and Ray Collins - vocalist)
The Mothers of Invention - Freak Out!
http://rapidshare.com/files/102071875/T ... ention.rar
1 Hungry Freaks, Daddy 03:27
2 I Ain't Got No Heart 02:30
3 Who Are the Brain Police? 03:22
4 Go Cry on Somebody Else's Shoulder 03:31
5 Motherly Love 02:45
6 How Could I Be Such a Fool? 02:12
7 Wowie Zowie 02:45
8 You Didn't Try to Call Me 03:17
9 Any Way the Wind Blows 02:52
10 I'm Not Satisfied 02:37
11 You're Probably Wondering Why I'm Here 03:37
12 Trouble Every Day 06:16
13 Help, I'm a Rock 08:37
14 It Can't Happen Here 03:56
15 The Return of the Son of Monster Magnet 12:17
_______________________________________
Democracy is the recurrent suspicion that more than half of the people are right more than half the time.
- EB White
01-05-2008 04:23:10
pilik
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Inregistrat: 10-11-2007
...Si unul Lynyrd Skynyrd:
Edge of Forever
http://rapidshare.com/files/77089766/Ly ... orever.rar
1. Workin' for MCA 4:54
2. Full Moon night 3:45
3. Preacher Man 4:34
4. Mean Streets 4:50
5. Tomorrow's Goodbye 5:07
6. Edge Of Forever 4:24
7. Gone Fishin' 4:22
8. Through It All 5:29
9. Money Back Guarantee 4:02
10. G.W.T.G.G. 4:04
11. Rough Around The Edges 5:06
12. FLA 3:54
_______________________________________
Democracy is the recurrent suspicion that more than half of the people are right more than half the time.
- EB White
01-05-2008 04:23:36
pilik
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Alt album Frank Zappa si The Mothers of Invention datat 1968:
http://rapidshare.com/files/111873450/W ... _Money.rar
The Mothers of Invention - We're Only in It for the Money
1 Are You Hung Up? 01:25
2 Who Needs the Peace Corps? 02:34
3 Concentration Moon 02:22
4 Mom & Dad 02:16
5 Telephone Conversation 00:48
6 Bow Tie Daddy 00:33
7 Harry, You're a Beast 01:21
8 What's the Ugliest Part of Your Body? 01:03
9 Absolutely Free 03:24
10 Flower Punk 03:03
11 Hot Poop 00:26
12 Nasal Retentive Calliope Music 02:02
13 Let's Make the Water Turn Black 02:01
14 The Idiot Bastard Son 03:18
15 Lonely Little Girl 01:09
16 Take Your Clothes Off When You Dance 01:32
17 What's the Ugliest Part of Your Body? (Reprise) 01:02
18 Mother People 02:26
19 The Chrome Plated Megaphone of Destiny 06:26
_______________________________________
Democracy is the recurrent suspicion that more than half of the people are right more than half the time.
- EB White
02-05-2008 22:12:09
pilik
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Joan....... Joan Baez, desigur...
Joan Baez – “Joan”, 1967
http://rapidshare.com/files/83819658/Joan.rar
1 Be Not Too Hard 02:49
2 Eleanor Rigby 02:18
3 Turquoise 03:14
4 La Colombe -- The Dove 05:16
5 The Dangling Conversation 02:43
6 The Lady Came From Baltimore 02:30
7 North 02:47
8 Children of Darkness 03:52
9 The Greenwood Side 07:40
10 If You Were a Carpenter 02:10
11 Annabel Lee 04:48
12 Saigon Bride 03:12
Coperta o gasiti in interiorul arhivei.
Enjoy!
_______________________________________
Democracy is the recurrent suspicion that more than half of the people are right more than half the time.
- EB White
02-05-2008 22:15:24
pilik
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"Concert for George" - a avut loc la Royal Albert Hall in Londra, la 29 noiembrie 2002 in memoriam George Harrison, la un an de la moartea lui. Evenimentul a fost organizat de Olivia, sotia lui Harrison si Dhani, fiul sau. Director musical: Eric Clapton.
Track listing
(All songs written by George Harrison, except where noted)
Disc one: http://rapidshare.com/files/112133475/C ... Disc_1.rar
1. "Sarve Shaam" (Ravi Shankar) – 3:18
2. "Your Eyes (Sitar Solo)" (Ravi Shankar), performed by Anoushka Shankar – 8:23
3. "The Inner Light", performed by Jeff Lynne and Anoushka Shankar – 3:02 Originally the B-side to The Beatles' "Lady Madonna" in 1968
4. "Arpan" (Ravi Shankar), conducted by Anoushka Shankar – 23:02
Disc two:
http://rapidshare.com/files/112211613/C ... .part1.rar
http://rapidshare.com/files/112272515/C ... .part2.rar
1. "I Want to Tell You", performed by Jeff Lynne – 2:53
Originally heard on The Beatles' 1966 album Revolver
2. "If I Needed Someone", performed by Eric Clapton – 2:29
Originally heard on The Beatles' 1965 album Rubber Soul
3. "Old Brown Shoe", performed by Gary Brooker – 3:48
Originally the B-side to The Beatles' "The Ballad of John and Yoko" in 1969
4. "Give Me Love (Give Me Peace on Earth)", performed by Jeff Lynne – 3:29
Originally heard on Harrison's 1973 album Living in the Material World
5. "Beware of Darkness", performed by Eric Clapton – 4:01
Originally heard on Harrison's 1970 album All Things Must Pass
6. "Here Comes the Sun", performed by Joe Brown – 3:09
Originally heard on The Beatles' 1969 album Abbey Road
7. "That's The Way It Goes", performed by Joe Brown – 3:40
Originally heard on Harrison's 1982 album Gone Troppo
8. "Taxman", performed by Tom Petty and the Heartbreakers – 3:11
Originally heard on The Beatles' 1966 album Revolver
9. "I Need You", performed by Tom Petty and the Heartbreakers – 3:00
Originally heard on The Beatles' 1965 album Help!
10. "Handle With Care" (Harrison, Bob Dylan, Jeff Lynne, Tom Petty, Roy Orbison), performed by Tom Petty and the Heartbreakers with Jeff Lynne and Dhani Harrison – 3:27
Originally heard on Traveling Wilburys' 1988 album Traveling Wilburys Vol. 1
11. "Isn't It a Pity", performed by Billy Preston – 6:58
Originally heard on Harrison's 1970 album All Things Must Pass
12. "Photograph" (Harrison, Richard Starkey), performed by Ringo Starr – 3:57
Originally heard on Ringo Starr's 1973 album Ringo
13. "Honey Don't" (Carl Perkins), performed by Ringo Starr – 3:04
Originally heard on The Beatles' 1964 album Beatles for Sale
14. "For You Blue", performed by Paul McCartney – 3:05
Originally heard on The Beatles' 1970 album Let It Be
15. "Something", performed by Paul McCartney and Eric Clapton – 4:26
Originally heard on The Beatles' 1969 album Abbey Road
16. "All Things Must Pass", performed by Paul McCartney – 3:33
Originally heard on Harrison's 1970 album All Things Must Pass
17. "While My Guitar Gently Weeps", performed by Paul McCartney and Eric Clapton – 5:57
Originally heard on The Beatles' 1968 double album The Beatles
18. "My Sweet Lord", performed by Billy Preston – 5:03
Originally heard on Harrison's 1970 album All Things Must Pass
19. "Wah-Wah", performed by Eric Clapton and Band – 6:06
Originally heard on Harrison's 1970 album All Things Must Pass
20. "I'll See You in My Dreams" (Isham Jones, Gus Kahn), performed by Joe Brown – 4:02
History:
The concert opened with Indian music when Anoushka Shankar, daughter of Ravi Shankar, played "Your Eyes". Next, Anoushka Shankar and Jeff Lynne performed "The Inner Light", followed by a Ravi Shankar composition "Arpan" (Sanskrit for 'to give'), specially written for the occasion.
Then there was a comedy interlude with members of the Monty Python troupe (Michael Palin, Eric Idle, Terry Jones and Terry Gilliam) along with Neil Innes, Carol Cleveland and special guest Tom Hanks performing "Sit on My Face" and "The Lumberjack Song". The remainder of the concert featured "George's Band" and included musicians Paul McCartney, Ringo Starr, Eric Clapton, Jeff Lynne, Tom Petty, Billy Preston, Jools Holland, Albert Lee, Sam Brown, Gary Brooker, Joe Brown, Ray Cooper, Andy Fairweather-Low, Marc Mann, Harrison's son Dhani and several other musicians who appeared on Harrison's recordings over the years.
Between them they played a selection of mostly Harrison's songs, from both The Beatles and post-The Beatles eras, generally staying faithful to Harrison's original arrangements. Highlights included Clapton and Preston on "Isn't It a Pity"; Starr on "Photograph"; McCartney on "Something" (opening with a solo ukulele accompaniment); Preston on "My Sweet Lord"; McCartney, Clapton and Starr reuniting on "While My Guitar Gently Weeps" for the first time since The Prince's Trust Concert in 1987; and the performance of "Wah Wah".
The event was filmed and a motion picture version, directed by David Leland and photographed by Chris Menges, went on general release, and a DVD and CD were also released on 17 November 2003. The Monty Python and Sam Brown tracks were not included on the CD.
Bob Dylan did not attend "Concert for George" but played the Harrison song "Something" at a concert in New York City on 13 November 2002. He dedicated the song to Harrison "because we were such good buddies."
_______________________________________
Democracy is the recurrent suspicion that more than half of the people are right more than half the time.
- EB White
04-05-2008 18:36:59
sorry70
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Multumesc si pentru ce este si pentru ce va veni.
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"Ceea ce infrumuseteaza desertul, spuse Micul Print, este ca el ascunde undeva o fantana."
Antoine de Saint-Exupery
04-05-2008 20:06:29
pilik
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Inregistrat: 10-11-2007
Bob Dylan & The Band - The Basement Tapes, 1975
(The twenty-four songs in these two discs are drawn from sessions that took place between June and October 1967, in the basement of Big Pink, a house rented by some members of The Band, in West Saugerties, New York.)
Disc 1:
http://rapidshare.com/files/111859800/T ... Disc_1.rar
1 Odds and Ends 01:47
2 Orange Juice Blues (Blues for Breakfast) 03:39
3 Million Dollar Bash 02:33
4 Yazoo Street Scandal 03:29
5 Goin' to Acapulco 05:29
6 Katie's Been Gone 02:45
7 Lo and Behold 02:46
8 Bessie Smith 04:18
9 Clothes Line Saga 02:58
10 Apple Suckling Tree 02:48
11 Please, Mrs. Henry 02:33
12 Tears of Rage 04:12
Disc 2:
http://rapidshare.com/files/111867609/T ... Disc_2.rar
1 Too Much of Nothing 03:03
2 Yea! Heavy and a Bottle of Bread 02:15
3 Ain't No More Cane 03:58
4 Crash on the Levee (Down in the Flood) 02:04
5 Ruben Remus 03:14
6 Tiny Montgomery 02:47
7 You Ain't Goin' Nowhere 02:44
8 Don't Ya Tell Henry 03:13
9 Nothing Was Delivered 04:23
10 Open the Door, Homer 02:51
11 Long Distance Operator 03:40
12 This Wheel's on Fire 03:49
